MATTHIAS GRUNEWALD ( 1470- 1528 ) –DISEGNI A MATITA O GRISAILLE (GRISAGLIA, it.) — tutte le immagini sono prese da Pinterest sotto il nome del pittore

 

 

testa di un bambino che piange, 1520 –Berlino

 

1509-1510 –Frnkfurt am Main

 

studio non finito, 1520 –Staatliche Museen, Berlin

 

 

Mosé, Albertina, Vienna,  1516

 

 

 

Hl. Elisabeth von Thüringen. 1509/10

 

 

Heller Altarpiece (detalle). 1509

 

St Dorothy with the Basket of Flowers c. 1520

 

St. Elizabeth and a Saint Woman with Palm –

 

 

 

 

isenheim study

 

St Lawrence (detail from the “Heller Altarpiece), 1509-11. Grisaille on oak, 98 x 43 cm (each). Städelsches Kunstinstitut, Frankfurt

 

 

 

The Dead Lovers, Anonymous (Was attributed to Matthias Grünewald)

 

 

 

 

Head of a Shouting Man c. 1520 Black chalk on yellow-brownish paper, 276 x 196 mm Staatliche Museen, Berlin

 

 

Hombre que mira para arriba 1523-24 Negro tiza sobre papel de color amarillo ocre, 434 x 320 mm Staatliche Museen, Berlín

 

1512-14 Black chalk and indian ink on paper, heightened with white, 207 x 210 mm Staatliche Museen, Berlin This drawing is a study for the Annunciation of the Isenheim Altarpiece

 

tudy of an Apostle, c.1511. Black chalk, heightened with white, gray watercolour, 24 x 16 cm. Staatliche Museen, Berlin. Northern Renaissance.

 

 

St Catherine Matthias Grünewald c. 1520 Black chalk on paper, heightened with white, gray watercolour, 316 x 215 mm Staatliche Museen, Berlin

 

 

Christus am Kreuz, ca. 1520

 

 

An Apostle from the Transfiguration, c.1511 – Matthias Grünewald

 

 

TRE TESTE –Trias Romana es el título de un dibujo a tiza sobre papel realizado por el pintor alemán Matthias Grünewald. Mide 19,9 cm de alto, y 27,2 cm. de ancho. Es una de las últimas obras de su autor, creada en torno al año 1525. Se encuentra en el Gabinete de grabados (Kupferstichkabinett) de los Staatliche Museen de Berlín (Alemania).

 

portrait of guido guersi

 

 

St. Lucy, 1508-11. Grisaille on oak, 95 x 43 cm and 101 x 43 cm. Gemaldegalerie, Donaueschingen.

 

The Isenheim Altarpiece The face of Christ in the Resurrection panel almost vanishes in the light produced by his radiant body.

 

An Apostle from the Transfiguration

 

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